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Documentation in Photos and Film of our 2013 Summer Father & Sons Boat Building Project. Upon completion, the "SS Sigillo" taken from the maiden name of Dame Mary Sigillo Barraco, was named by the kids as a gift for Dame Mary's 90th Birthday. Her story is briefly explained in the Document. Enjoy & Godspeed! S
Into 2017, Stephen's 4th Symphony was nominated for the Pulitzer and Nemmers Prize in Music. Winner of three 2009 Telly & Ava Awards for his 2005 Visualized Concert, Kakehashi: THAT WE MIGHT LIVE, Stephen's concert-version was also nominated for the Pulitzer Prize in Music. His 15 feature film scores include the Oscar-nominated 12:01PM, and most recently, The Unwilling. An ASCAP Concert Awards recipient each year since 1992, Stephen's more than 1145 works include 4 symphonies, several concerti and over 33-hours of Music for Ensembles of the 3rd Millennium™. With 28 CDs and 6 books on iTunes, and simply by word-of-mouth, Stephen's pioneering, self-publishing entity known as STORMWORKS has gone from 0 to many thousands of worldwide renderings since 1992.
Digital Libretti here: stormworld.com/DigitalLibretti/
“Melillo is to wind music what Beethoven was to the symphony orchestra, and he follows a Beethovenesque design of increasing the musical tension almost to the breaking point, receding, and then reaching again. It is superlative musical craftsmanship and inspiring to hear.” Marvin Sosna, Music Critic
“His S-MATRIX Symphony was fabulous, full of childlike wonderment as the composer intended and marvelous sounds. And they worked to maximum effect — a brilliant, original use of orchestral resources for a sophisticated, sensational, beautiful and satisfying experience.” Nancy R. Ping-Robbins, Music Critic
“...a new voice in the direction of music, his sound – a bridge between the serious and the immediately visceral.” Maestro Gerhardt Zimmerman, Conductor
“...his ability to create a mood, find precisely the right touch of drama and create the needed effect was manifest... the sustained chords in the choir, the timpani’s roar, the harp’s glissandos. Melillo used them all with a sense of absolute rightness and the result was fresh, joyful and exciting... each measure scored with an unerring ear for drama and emotion.” John S. Sweeney, Music Critic
“He could become the Leonard Bernstein of this age... Everything he creates has many layers, ranging from synchronicity to the significance of numbers, from visceral emotions to the brotherhood of mankind.” John S. Sweeney, Music Critic
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